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Friday, 5 September 2025

Tamar Berk - ocd

 


Tamar Berk is probably my favourite discovery on here. I don't meant that her discovery was down to me, I leave that for others to claim, although I suspect it is all totally down to her and since the debut album, it certainly is. I've covered all four albums to this point and I'm here with the 5th. I've been so bursting to tell you about it that I put the album in the current revived Here Is The News feature. I can't think of many artists whose complete solo career I have covered. I've also gone slightly early on Friday's upcoming Release Date.



She arrived at a strange time here in 2021. I got a fair bit of stick for an interview where I admitted that IDHAS was a male dominated affair artist wise. It wasn't in anyway misogynyst, we had covered a lot of female artists, both solo and in groups. I was just reflecting that although we go down many avenues, we will always reflect our audience. We want artists to have doors opened. I've made efforts to prove people wrong since, but I will always cover what I like, be it male, female, alien, but never AI. Tamar's album arrived and I thought, here you go, put that pipe and smoke it. If an album by a male had the arrived with the same quality, I'd have also covered that. 



In she came with a sassy rock attitude, all Indie, but self effacing and reflective and I was hooked. She was able to look at herself and tell you why she was like she is and how her anxiety affected her songs. She hasn't really changed that in anyway. It is just that album by album there have been marked changes in direction.These have not been intentional changes, Berk has just followed her muse, making albums that please her and seeing a growing following that have just got what she does. Here at album five, she has earned the right to do this more and more, both subtle and larger changed have taken place and all of them have worked. 



She can be whatever you want, genre wise, but her music is about what she wants with a hope that you will follow the path. Rocking out or delivering something breathy is just as easy. Indie, Pop, Americana, whatever you name, she can do, but she does it her way. ocd is a stellar album, it is darker, even more reflective than previous, but it is never miserable or angsty. Berk bares her soul, but only because she wants you to listen to what she thinks, nobody is gonna stick her in any corner. The album is more laidback, mellower even, fragile at times. It still has those breakout moments, but they are not as often as before. This is singer songwriter excellence, melodically wonderful, but much more restrained. 



Even the Pop Rock, slightly Disco feel of the title track is about her old condition, But just listen to the magnificent Guitar Pop of I Had A Dream I was Lost In An Auditorium. It is graced by an extraordinary arrangement. Indiesleaze 2005 has a killer chorus, chirpy, but the subject is about the danger of having time on your hands. You Ruined This City For Me is more similar to what has gone before on previous albums, corking Indie Rock with attitude. But it is the slower songs that grip you most. The Piano Pop and mood of My Turn Will Come and the Acoustic led breathiness of  Ghost Stories that bursts into a Guitar crescendo are wonderful.



I've gone on for a bit too long, but would like to leave you with my thoughts on two more songs.  I'm In The Day After is classic Tamar Berk, Indie Rock that grabs a hold of you. There Are Benefits To Mixed Emotions is much more brooding and reflective. Moody and magnificent with a breakout chorus that makes you realise that everything will be alright. ocd is the sound of an artist at the top of their game. Come and join the follower, although these days you may find it a little crowded. This album is totally spellbinding.


You can listen to and buy and listen to the album here. It is available on Vinyl, CD and as a download.


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Loose Lips - Last Laugh

 


Plenty of you know how we love the Power Pop revival, a slightly more aggressive version of what has gone before, but with the same hooks, riffs and big choruses. Here we have another ace example, all the way from Melbourne.

The (Power) Trio are wonderfully scuzzy. Plenty in common with the scene from the UK and US in 1978. Indeed two thirds of the band are from The Prize, a group whose 2022 EP was adored by us. You can read that review here. All three sing which adds to the variety.



Nothing That I Want even gets all vintage UK Glam Rock, handclaps and all, but it is the Power that grips you most. The trio just don't come up for air and Josh Hardy is not afraid of letting rip with a killer Guitar solo. This is wall to wall shake your fist all the way through.

At times, I am reminded me of The Speedways, but the strength of the album is in how locked in together the three are. This is music to let loose to and is a joy to listen to. Foot Tapping, made for air guitar solos, Last Laugh is a great listen.



You can listen to and buy the album here. It is available on Vinyl and as a download.


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Fragile Creatures - Play Both Sides

 


One of the problems of growing as much as we have is that it is more difficult to keep track of albums that you want to cover, particularly with advance release dates and what comes flooding in. This review got lost in draft and should have appeared before now as the album was released at the end of March.

We have previously added a couple of songs to LTTTW Playlists, but you all must listen to the whole shebang. This is Fragile Creatures third album and it is a corker. They specialise in great Pop Rock and unusually they are from here in the UK, a country not noted for this sort of thing.



The Brighton Five may concentrate on the melodic, easy on the ear, beautifully arranged and performed. But there is also a real lyrical adeptness to the songs that Adam Kidd writes. That intelligence shines through the expertly crafted offerings.

They also refused to be boxed in and well they let loose, the creativity shines through even more. Garden Of Eden, for instance, is a monster of a song, chopping and changing direction at will without ever losing its grip, it is a fine listen.



They can also rock out. Bad Smell is great 80s Pop is built around a great riff. Chasing Hearts even gets funky, ultra smooth, built around a hypnotic bassline, indeed the whole album is lit up by the rhythm section. 

It is the laidback Pop Rock that grabs you most, especially Grandaddy, a song that reminds you of the 70s when this style was king. The keyboard sound particularly makes me reminisce and this song has a wonderfully effective solo. Play Both Sides is a belter of an album.



You can listen to and buy the album here.  It is available on CD as a download. You can find out more about Fragile Creatures here


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Tuesday, 2 September 2025

Star Collector - Everything Must Go

 


The return of Vancouver's Star Collector was one of the joys of doing what we do on I Don't Hear A Single. We love the band so much that they even got the Mick Dillingham Interview treatment in 2021. You can read that here and it describes the band's career to that point really well.

A new album is always to be celebrated, the quartet always deliver and here is a wonderful marked change that adds many strings to their bow. They have always managed variety, but their strength has always majored on Rock, a little flavour of The Who, a dash of Mod, a hint of Punk, but with a large willingness and need to Rock.



Everything Must Go reveals a much bigger ambition. It shows in the arrangements, but especially in Vic Wayne's vocal. He can belt songs out in his sleep, but here he stretches his vocal to extremes offering an unexpected tenderness at times across whatever genre they enter,

Take, for instance, The Best Thing. This is essentially Jangle Pop that can't resist a breakout solo, but Waynes's vocal is beautifully restrained in a way that enhances the song. There are examples of this everywhere.



The Rock is well catered for, but it is the diversions that grab a long term fan like myself most. It adds a whole new world to a Star Collector album. You know it will be absolute quality before you listen to any of it. But here the four enter a new dimension.

There are some heavyweight collaborations, you can read the Bandcamp page to discover them all. I've also held back on most song descriptions, hoping newbies will go and discover the band themselves. I've picked the three songs that are my favourites today. This is an essential listen, off you go to hear the delights!



You can listen to and buy the album here. It is available on CD and as a download.


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Glowbox - Bland Ambition


 

Boston's Glowbox are back and get a large hoo and indeed rah, It has been a while since late 2021's Your Call Is Very Important To Us. You can read my review of that album here. After three singles in the interfering years, that fine album now has accompaniment.

Bland Ambition was released last Friday in a low key release. But now you know about it, you can listen and shout about it all over the stratosphere. You can expect big riffs, killer choruses and exhilarating solos. The band do Power Pop so well, but there are other areas that the quartet excel at.



The blast in with No Place Like Nowhere is pure Power Pop and the whole listen does feel more Power Pop adjacent than its predecessor, but there are still big footmarks in 90s Indie Rock and College Rock, particularly on Should Have Known.

There is also a venture into 70s UK Glam Rock with the all together now of Doesn't Mean That Much and that works beautifully. Wait And See also demonstrates again, how comfortable the band are in laid back melodic Pop Rock.



The Closer, Horizon, underlines the ease in that genre, a little West Coast in places, with great vocal harmonies, but with 70s Pop Rock at its heart. Joke's On You gets more Classic Rock. In Your Orbit is again classic Pop Rock.

The stand out though for me, something that may come as no surprise to you, is the wonderful Philosophy 21A. Psych Pop of the highest order that even adds a blistering solo and also adds a hint of Prog. Glowbox dish up a crackerjack of an album that will delight you with its variety.



You can listen to and buy the album here.


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Monday, 1 September 2025

Listening To This Week Playlist 1 September

 


A little later than usual, here is the first LTTW Playlist of five that will appear in September. 23 fine songs for your listening pleasure. As well as the traditional version, we have put the playlist on Spotify and you will see the link below.  21 of the 23 songs are available on Spotify.

Remember this is early days on Spotify for us, so the following there is nowhere near our one here. The weekly playlist is largely for submissions, not just the usual stuff that we dig out ourselves. The song order is not about song preference, but how the playlist flows.  

All embeds open in new windows to aid scrolling. Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about the artists who appear here. 


The Spotify Version    (Both Joe Giddings and The Second Summer Songs are not on Spotify)




Superchunk - Is It Making You Feel Something




Yawn Mower - Speed Boat!




Infidels - When The Clock Strikes 12




Pearl Charles - Gone So Long (feat. Tim Burgess)




the dt's - Sun Shines Down




Lot Long - Drive




The Flashcubes - If These Hands




The Second Summer - Try (Not On Spotify)




Richard Turgeon - Song Of Discontent




Joe Giddings - Stay In Nowhere (Not On Spotify)




da nang - Kids




Late Night Lies - Tiny Hand




Edison Gomez - Krauss - Stupid Little People




Chris Lund - You've Got A Lot Of Nerve




Healer - We Follow




Dylan Fellows - Dream Of Other Things




meltcitizen - What Do You Do If You Are A Satanist, Anyway?




sulk - like I do




RedWood - Whatever You Want




Cliff Root - Holy Visions




The Telephone Numbers - Ebb Tide




Problematic Jam - It's So Confusing




Airplane Mode - Late Stage Capitalism




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Saturday, 30 August 2025

Infidels - Never Forever


 

Infidels certainly take their time with albums, but it wasn't always like that. Their first two albums, 9:25 And Seven Seconds and Wondrous Strange appeared in 1987 and 1988 respectively. All For Nothing took 15 years to appear and this their fourth hits the racks 22 years on.

The quartet of Pete Drivere, John Hlumyk, John Koury and Dave Lisko are all singer songwriters and with their individual tastes, Infidels provides the ultimate in variety. But, most of all, this is an album that thrives on the joy of the Guitar and how the instrument lights up music.



This beautifully arranged and produced album, allows the band to fully demonstrate the way they can switch from genre to genre at will. At different times, it is Pop Rock, Americana, West Coast Rock, yet there is also Jangle Pop and a hint of Psych Pop. It can be a little Tom Petty and yet also Cheap Trick.

Splendid memorable chorus dominate with a high riff content and gripping Guitar solos. The twang of Amber Moon is matched by the Jangle on Evil Change Of Seasons. When The Clock Strikes 12 is prime time Cheap Trick and Don't Walk Away Marie is great Power Pop.



There is a slight Country Rock vibe at times, but both the rhythm section and the band's wonderful Guitar sound dominate the album. Plus, with four different vocalists, you can imagine how strong the harmonies are throughout. 

The band may have been separated by distance through the years, but they have been keeping themselves busy. Koury, Drivere and later Hlumyk were active Blue Ash's Frank Secich's Deadbeat Poets and Dan Lisko releases his debut album, Spiders & The Sun in a couple of weeks.



You can listen to and buy the album here. It is available on Vinyl, CD and as a download.


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